For this surrealist trailer, I utilized rhythmic speed ramping and a disjointed editorial flow to mirror the fluid logic of a dream. By interjecting high-energy pulses into a hazy, atmospheric narrative, I manipulated time to heighten the film's sense of mystery and otherworldly tension.

I distilled hours of legacy tournament footage into a high-octane teaser for the World Poker Tour, surgically selecting peak moments of tension and triumph. By syncing sharp, percussive cuts with archival highlights, I built a fast-paced narrative that captured the high-stakes adrenaline of the upcoming event.

For the Freaker beach party, I utilized a high-density edit, pairing slow-motion footage with rapid-fire cuts to maximize visual variety and color. This approach allowed me to weave a rich tapestry of textures and fleeting moments, distilling the expansive energy of the scene into a vibrant, sensory-driven montage.

I edited a piece featuring an improvised dance within the spray of a New York City fire hydrant, utilizing the ethereal quality of slow-motion footage to elevate a gritty street moment into a dreamy, rhythmic celebration. The edit focuses on the organic interplay between the dancer’s movement and the water’s texture, creating a visual flow that feels both spontaneous and hypnotic.

In this edit of a monster truck show, I subverted traditional high-octane expectations by pairing observational, documentary-style footage with a jarringly obscure soundtrack. This juxtaposition creates a sense of lingering dissonance, transforming a spectacle of raw power into a surreal and slightly unsettled cinematic experience.

For the band Harmonica Lewinski, I transformed raw footage from a lakeshore performance into a cohesive narrative that captures the authentic spirit of their creative circle. By weaving together the energy of the live show with intimate, candid moments among friends, I built a visual story that feels like both a concert film and a nostalgic personal archive.